Tag Archives: writer life

Author Spotlight: TOBY FROST

On my blog I love to bring you authors I love who I think you’ll love too. Today I’m thrilled to welcome the brilliant TOBY FROST into the Author Spotlight. Author of the utterly fab Space Captain Smith series, he is now writing a new, darker fantasy series, the first book of which – Up To The Throne has just been published. 

Toby Frost author pic

When did you first decide that you wanted to write?

I first started writing when I was about 12. I can’t remember why, or what it was that pushed me from reading novels to writing them. My first efforts were scribbled in a small blue notebook, along with illustrations. I don’t remember either the text or the story being especially good!

What interests you as a writer?

So many things! Firstly, there’s a sense of exploring and creating. You’re showing the reader people and places, but you’re also creating them, so in a way you’re discovering them as well. I often find myself thinking “What if this happened?” and then following the story from there.

And then there’s characters. People are just fascinating, whether your book is set now, in the past or in the distant future. You’ve got to have strong characters that the reader cares about. That means that, whoever they are, what they’re doing has to make sense. I love seeing what happens when two very different characters clash.

For me, concepts like theme and subtext take second place to the story and characters. Because I write fantastical stories, I’m often writing about something in the real world through a surreal, magical lens. But it’s always got to feel convincing. I find history fascinating, and I often steal bits and pieces to make my writing more believable. Whether you’re talking about a trip to the shops or a journey to Mars, the reader has to think, “Yes, that’s what it would be like.”

Toby Frost SCS Books 1

Are you a plotter or do you write by the seat of your pants?

I never know how to answer this question! I think about what I’m going to write for a long time before I start. I’m often pondering a second book while I’m writing a first one. I think I’m probably more a plotter, but I do sometimes have moments where I stop and think “Hey! Wouldn’t it by better if I just did something completely different?”. So maybe 75% plotter.

Do you have a typical writing day? If not, when is the best time to write for you?

I don’t, really. I don’t find it difficult to write, and I’m lucky in that. I don’t have to be in a particular mood or even a place. Having a day job, I tend to work in the lunchtimes and evenings, but I’d be just as happy writing at other times. Preferably on a luxury yacht or my own private spacecraft.

Toby Frost SCS Books 2.jpg

What inspires you as a writer?

Pretty much everything! I’ve come to think that writing is a way of interpreting and processing the things I experience, albeit in a metaphorical and indirect way. Also, I’m influenced by history, by places and by other fiction, written and visual. So I’m always soaking up ideas and influences, although a lot get discarded. I don’t think I can switch that off – not that I’d want to!

What are the best things about being a writer?

One of the best things must be seeing my own work in bookshops. To see your own novel for sale with a great cover is amazing. A few years ago, I did a reading at a steampunk event and a man came up to me afterwards. He said that a friend of his had got very depressed after a death in the family, and my books had helped cheer him up. That was a pretty excellent moment, too.

And the worst?

It’s hard to think of any. Maybe the expectation that some people have that you’re extremely wealthy? If I had to point to one moment, it would be a couple of years ago at a writing convention, where I was on a panel with another author who I was trying to impress with my literary knowledge. I climbed up onto the stage and whacked my head on a low-hanging beam. After I’d finished staggering around clutching my head, I went on to do the panel, but my aura of genius was gone (if it had ever been there!). Goodness only knows what I said after being hit on the head.

Toby Frost book pic

Tell me about your new novel, Up To The Throne.

It’s a fantasy story set in an imaginary city in a magically-enhanced version of the Renaissance. Giulia, the lead character, returns to her home city after several years, to take revenge on the man who tried to kill her. She’s clever, skilled and still burning with anger, but the world has moved on, and her enemy is no longer a criminal but a rising politician with designs on the throne. Killing him could throw the principality into chaos. As she closes in on him, she starts to realise just what taking her revenge will do to the people she cares about, and has to make hard choices.

How have you found writing a darker fantasy series? Has it required a different approach to your Space Captain Smith books?

It is different, because it stresses different things. Usually, I worry if I’ve gone for very long without telling a joke. Here, it’s more that I’ve got to keep the atmosphere up, and keep the story moving. The same basics of character and storytelling are still there, but a more serious story needs a more engrossing plot. However, in terms of actually writing it, it’s been very similar. Things have inspired the writing in much the same way, and the characters and setting of Giulia’s fantastical Renaissance come together in much the same way as the Space Empire does in Space Captain Smith.

If you could have a dream cover quote from any author, living or dead, who would it be?

“It filled me with laughter, joy and hope for the future.” – George Orwell.

What are your top three tips for writers?

Well, first up, a disclaimer: the more I write, the less comfortable I am in telling other people how to do it. I don’t think there’s a set route to good writing, much less to getting published. But, since you asked…

1) Practice. Get used to the experience of turning thoughts into words. The main cause of books never getting into print is that they’re never finished. Practice not only improves your writing, but gets you into the habits of writing and editing. The task of putting words down becomes much less daunting once you’ve got accustomed to it.

2) Learn about writing. In the past, I would have said “Read more books” here, but it’s not just reading: it’s understanding and learning from books, TV shows, films, real life and anything else. You can learn a lot reading good-quality novels outside your usual genre. Personally, I get a lot out of reading how-to books (Stephen King’s On Writing is particularly good), but it varies from person to person. One very good way of learning is to go to events or join a writing group. My own writing improved vastly after joining the St Albans writing group.

3) Persist! It’s easy to be put off by your first few rejections, but you have to get used to it and carry on. If the first book you write isn’t a massive success, don’t give up. Start work on another project (but don’t throw the first one away! You never know, after all). Keep learning, keep going to events, making contacts, finding out new things. You might find that something you couldn’t get traditionally published works well as a self-published book, or vice versa. The important thing is to stay enthusiastic about your writing and always keep trying to improve and succeed.

Do you have a dream project you’d love to write?

I’ve got two! The first is a series of epic fantasy novels set in the same world as Up To The Throne. They’d have a wider setting and be about more powerful characters, but they’d tie into the Giulia stories and tell a grander, longer story. The other project is a set of linked novellas with an ensemble cast, about the futuristic secret service glimpsed in the Space Captain Smith books. Don’t tell anyone, but I’ve started work on both…

Thanks so much for braving the Author Spotlight! Is there anything else you’d like to add?

Only that Up To The Throne is available on Kindle and in paperback. Just click this link!

How fab was that?! I’m a huge fan of Toby’s writing and can’t wait to read Up To The Throne. You can find out more about Toby at his website, on Facebook at tobyfrostauthor and follow him on Twitter @isambardsmith. Watch out for more Author Spotlights coming soon! 

The Day We Meet Again is coming soon!

I had the idea for The Day We Meet Again two and a half years ago, walking through St Pancras Station in London, when I saw the statue of Sir John Betjeman for the very first time…

Everything appeared in that moment: Phoebe and Sam – the two people who would meet and fall for one another when their trains were delayed; the question of whether you should put your life on hold if love takes you by surprise, even the journeys both of them would take. It doesn’t always happen like that, at least not for me. But the story was instantly one I wanted to write.

As it turned out, Phoebe and Sam would face more delays until I could get them onto the page. But they refused to leave until I did. This year, on 5th September, they will finally star in my tenth novel.

Watch out for a big, sparkly announcement about The Day We Meet Again this Friday (31st May) at 5pm – and keep watching this blog, my TwitterInstagram and Facebook posts for lots more exciting things….

I can’t wait to share Phoebe and Sam’s story with you. It’s been a bit of a long wait, but it’ll be worth it!

TDWMA Proof Spines Stack

 

Magic moments – listen to this!

(I’m not singing this time, promise!) I’ve just been sent the finished audiobook of Somewhere Beyond the Sea and it’s absolutely blown me away… 

On Monday I went down to the studio in London to record some author bits for the audiobook and I could tell from the team that they were excited by the work Clare Corbett and Jonathan Bailey have done reading Seren and Jack’s chapters in the book.

But I wasn’t prepared for how amazing it would be.

Here’s the thing: probably most people don’t know that I studied Drama at university and for a long time my ambition was to be an actor. It didn’t happen (two awful auditions put paid to that idea – remind me to tell you about them some time…), but I have never lost my love of drama, film and theatre. When I write, I see it in my head like a film. I remember a writer telling me once that writing books is the best way to fulfil a secret acting ambition – we give ourselves all the best lines through our characters. In my case I think that’s true! So where I couldn’t appear on a physical stage, I create a stage – a TV screen, a film screen – on the page instead.

When words on the page are brought to life by performance, magic happens. I read all my books aloud when I’m editing – particularly when I’m doing the final proof edit. If the rhythm is wrong, especially for dialogue, I always work out the right one by speaking it first. I write with a particular rhythm in mind – it’s very similar to writing music. The beats have to be right, the light and shade placed correctly, otherwise it clunks and is difficult to read.

So when I listened to the two opening chapters featured in the Soundcloud clip below, I knew where all the beats were. It’s scary waiting to see how someone else has interpreted your words! And what happened next was magical. Every beat, every rhythm, every point of emotion and humour, wistfulness and pain were hit perfectly – and there was more, too: nuances in the dialogue that I hadn’t anticipated, moments where I was drawn closer to the characters as they spoke, moments that made me giggle. It was like hearing my story for the first time and I couldn’t believe I wrote that. I wrote that! Wow!

I dream of one day writing a script that’s produced as drama, either for TV or film. Listening to Clare and Jonathan’s performances of my words has made me think that it might yet be possible. Somewhere Beyond the Sea is written from Seren and Jack’s alternating perspectives and is the closest to a monologue/Talking Heads-style story I’ve ever written, so to hear it spoken and performed so perfectly has made me so proud of what I’ve created.

Being very British I’ve often downplayed pride in my work, but I’m changing that, starting now. Somewhere Beyond the Sea is my heart and soul and I’ve poured everything I’ve got into it. I am so utterly proud of it. And the way that Clare and Jonathan have not only respected my words but illuminated them, given them breath and life, is an absolute gift. Often as an author the mountain-top moments are few and far between, but this is one of those pinch-me-I’m-dreaming moments where it all comes together.

Want to hear what’s reduced me to tears and made me grin like a LOON all afternoon? Click this link to hear the first two chapters of the Somewhere Beyond the Sea audiobook, starring Clare Corbett as SEREN and Jonathan Bailey as JACK. Prepare to fall in love!

Clare-Corbett

CLARE CORBETT as SEREN

jonathan-bailey

JONATHAN BAILEY as JACK

WriteFoxy: A New Spin on Book Terms

I’ve had enough of beating myself up as a writer.

I don’t know about you, but the constant lurching between confidence and doubt is exhausting. I think I’ve conquered it and then, right in the middle of writing a new book – when I’m mired in first draft sludge around about 59k words, or going through a line edit where I’m losing sight of the story, it hits me:

Kaablaamo! Dastardly Doubt muscles in and ruins everything.

It’s worse when you hear people dismissing books with well-worn terms: ‘an easy read‘, ‘a holiday book‘, someone read it ‘in one sitting‘, a ‘guilty pleasure‘.

Shudders. Screaming at reviews. Dreading book discussions on social media. Feeling dismissed, undervalued and possibly in the wrong profession. It’s not pretty. Or even remotely fun.

But I’ve been thinking. What if there were a way to flip these terms to see a more positive version?

Let’s take them one at a time. (Brace yourself…)

ABC blocksAN EASY READ

Ugh. The ultimate dismissive term for the book you have invested a year of your life (or longer) lovingly crafting.

Or is it?

I used to work as a copywriter and there was a phrase we used in the design department: when you’ve done your job properly, nobody notices. I think that’s true of writing books, too. An ‘easy read’ seems like a criticism, but look at it this way: an easy read means the story flowed, the pace was good, dialogue felt natural and the reader easily entered into the world the book created.

When something is written well, you don’t notice the workings of it. You just enter in. And trust me, if the book was badly written, it wouldn’t be easy to read. It would be clunky, annoying, a book to be flung across the room rather than raced through.

To write something that flows and compels readers to keep turning the page is a hugely difficult thing to get right. The best comedy is effortless to watch but hides hours of work to perfect the timing, the rhythm, the punch line. It’s hard to write well. It takes skill and perseverance. But when you’ve done it right, nobody notices the effort. They just see the story.

If readers call your book an easy read, it means your pace, flow, characters, world-building and structure worked. That’s a world away from a dismissive term, don’t you think?

Holiday beach imageA HOLIDAY BOOK

A ‘beach read’. A ‘poolside book’.

Argh!

It conjures up images of cheap, trashy pulp fiction bought at the airport and hastily stashed in hand luggage. Something you wouldn’t dream of reading in your everyday life but, like Sambuca shots and stuffed donkeys, is somehow permissible on your week away in the sun.

Hang on, though.

Holidays are precious. We save hard for them and count down the days to them each year. Our one week away from work, from the concerns of our normal life, is hard-won and much longed for. So the books we choose to take with us have to be good. People agonise over which books to take: the right book can be a memorable part of your time away; the wrong book feels so much more of a let-down.

So, if someone has chosen to take your book on holiday – and invested time in their already precious time away to spend with your characters and your story – isn’t that the greatest compliment? They chose your book. And it was perfect for that moment. Whenever they see your book on their shelf at home, they’ll remember the beach they read it on, the pool your words kept them company by, and exactly where they were when they read your story.

That’s pretty amazing, isn’t it?

Reading pileI READ IT IN ONE SITTING

You spend countless hours – years, even – perfecting your book. The unseen months of heartache, doubt and sheer hard graft are hidden within the pages of your novel. And then, eight hours after it’s published, someone tweets you to say they read it in an afternoon.

What?!

I understand the shudder of loathing that follows a review where the reader says they read your book in one sitting. It feels dismissive. It cheapens your effort. And it makes you wonder if they noticed all the brilliant, hard-fought paragraphs you sweated buckets over.

Or how about this..?

Imagine they became so caught up in the story you created that nothing else mattered. The piles of crockery remained dirty in the sink. The television was dark and silent. They never made it further than their car in the car park outside the book shop because they couldn’t bear to leave your beautiful book world for even a minute. They held their breath. Pages turned at speed as they rooted for your characters, rode the emotional roller-coaster of your story and raced towards the end because they had to know what happens…

You’ve read books like that. I have, too. And just because you were gripped by the story and dashed through it, I’ll bet you’re still thinking about it now. Imagine if someone said that about your book…

Wow.

Go ahead. Race through my book in one sitting, please!

Guilty imageA GUILTY PLEASURE

Okay, I’ll give you this one. It’s a horrible term. Feel free to kick it to the kerb, strap a jet-pack to its sorry back and blast it away from earth into the endless beyond. Nobody should ever feel guilty about reading. Ever.

…Although, if someone does say that about your book, there are two positives to take away from it. Firstly, it says more about their fear of literary snobs than the merit of your book. Secondly, they secretly loved it.

I would far rather someone termed my book a ‘pleasure’ than a chore. And if they are worried so much about what a snobbish lit-splainer might say, they wouldn’t feel guilty about finding a book hard to read. (Because literary snobs believe ‘difficult’ books are the only ones that matter.) The fact is, they loved your book. And they will probably buy your next one to snuggle up in secret with, too…

Being a writer is tough. We pour our hearts into what we do, but that means we wear our hearts on our sleeve, so it’s easy to get hurt. I hope these flipped book terms help you see them differently next time they are used to describe your books.

Keep doing what you do, lovely author. Keep caring. Because it matters.

Finished! Woo-hoo!

Just a quick post to let you know that I’ve FINISHED writing the first draft of my new book! Woo-hoo!

First Draft DONE

(In case the word count is confusing, I have a scene after THE END in this document that I’ve now snuggled into the middle of the book where it belongs…)

It’s taken lots of late nights (including five all-nighters, which I don’t recommend!), countless cups of tea and coffee, at least three different notebooks on the go at once and not an awful lot of sleep, but my ninth novel is finally written and I’m chuffed to bits with it.

Of course, there are edits to come – a structural edit, line edit, copyedit and final proof edit – but for now my book is out of my head and onto the page. All the locations are there, the cast and supporting cast (always important in my books) and a central town setting that is as much a character as the protagonists themselves. I hope you’ll be able to not just imagine yourself there but also experience the sights, sounds, scents and tastes of this story.

It’s my most romantic story to date, I think, written from the dual perspectives of Seren MacArthur and Jack Dixon. I’ve adored writing both their worlds and their voices came to me really quickly, which isn’t always the case. I think you’re going to love them, along with their friends and families. And a dog. There might be a dog…

I’m doing a final read-through today and then sending it to my editor at PanMacmillan tomorrow. It feels like the end of a mammoth journey, which has included moving house, being without internet for a month, things breaking and scary bills (who said being a full-time author was glamorous?!). In reality it’s only the first stage in a journey, but I think this is the most important – not to mention the most fun – where I get to tell myself the story first, before anyone else sees it. From the moment I hit send on the email taking it to my editor tomorrow, this story stops being just mine. And that’s okay because it’s one of the beautiful things about writing novels – your first draft is a single splash in a pool that then sends ripples out further than you can ever see.

But I might just hug my manuscript a little tonight, while it’s still just me and the story…